What a fantastic experience my internship at Deakin Motion Lab was this summer! My creative self took a definitive step forward while I sat in this dynamic hub, which is made up of a team of entrepreneurial free thinkers who are cloaked in a myriad of non-disclosure agreements. Motion Lab by its own definition is a ‘Melbourne-based creative consultancy that intersects research, art, and technology to deliver state-of-the-art innovative solutions.’ They provide virtual reality; augmented reality, performing arts, animation, and motion capture services.
My tasks included writing a social media plan for Motion Lab’s booth at Future Assembly, Australia’s emergent tech festival, and a character brief for a new animated demo character that I named Maya. I’m not sure if her name will stick but I got to know her like a worshipped sister. There was much conjecture surrounding her name, as Maya is also the name of one of the software programs they use – apparently. There was no decision whether this was a good thing or not. My son, had he been a girl, was going to be called Maya Rose. I once new a beautiful old Russian woman with sweet soul named Maya and I have always loved the name. I was provided with a ten-page character template to fill out that, as a writer I can only say was incredibly detailed and a lesson at just how much thought goes into today’s animated characters. I was sorry to leave her behind.
From my first day to my last, and beyond (I’ll get to that in a minute) I was given the task to research one of Motion Labs research members, Katya Johanson, Associate Professor, Arts Engagement. I was to delve into Johanson’s previous work and her current project – Asia TOPA, formulate interview questions regarding Asia TOPA, interview her in person on videotape, transcribe said interview and write an article – and that is where I am. Although my time at Motion Lab is officially over, a final draft of my article ‘The art of the art’s evaluation – Asia TOPA a case study of unprecedented scope,’ is currently being approved, before Jordan Vincent my supervisor and I, can pitch it to an appropriate publication/s.
Although time ran out, I also began to research another member, Kristine Moruzi – Faculty of Arts and Education, ARC Discovery Early Career Research Fellow. Due to logistical complications over the Christmas break we ended up talking on the phone – an informative forty-five minute conversation about her work and research interests, one of which is very close to my heart – reimagining the gothic genre in a post-feminist context. I could describe our conversation as an informational interview – which I’d be more comfortable with if I’m successful in establishing a long-lasting academic relationship with her. I did share the challenges I am facing with Joy Street and in response to Moruzi’s challenges for her research – the scarcity of colonial children’s literature, I was able to impart a snippet of a previously unexplored reason.
Through my research pertaining to an exhibit I have had published on Deakin Fusion ‘William Clarson and The Kitchen Garden – a life of note and notoriety,’ – I came across the notion that the demand for children’s colonial literature far exceeded supply. And it was partly due to tariffs being placed on imported printing materials that thwarted settler publications and put pressure on the model school to import more readily available, cheaper, but non-relevant texts from England.
I felt a great connection with Moruzi and it buoyed my impending doom at finishing my undergraduate degree in June of this year. Moruzi doesn’t know it but she’s provided me with a notion that I’d have something to say if I was to continue my studies – and maybe through academic research I could come up with answers to the gothic/feminist challenges I want to resolve for Joy Street.
In conclusion, I’m grateful to Jordan Vincent for having me at the Lab for the summer, her subtle and seamless guidance and clever task setting. The structure and scope of this internship and its effects on my creative, academic, and professional self is a fine example of what all internships should seek to emulate.